MISS BROWN TO YOU
FEBRUARY & MARCH

The Park Pigeon Occasional Vol. 20 No. 2

Zannotti's: Friday, February 2nd They say that if you see Miss Brown's shadow on Ground Hog Day, It will be at least four weeks before you see them in Stillwater again. From 7 - 10 pm, it will be party time at Downtown Stilly's best wine joint. Join us!

Full Circle: Saturday, February 3rd We're back for our monthly Unmitigated Good Time at the Book Store. 7:30 - 9:30: wine, beers, snacks, good music, and Civilization.

Miss Brown Quartet at UCO! This will be our Valentine's Special! 8 - 10:30, $10 cover. For tickets click here.

The Incredible Repeating Calendar... Saturday, March 3rd: Full Circle Book Store. Probably feature some Celtic music. Another excuse to play "Days of Auld Lang Syne?" Bring it. And Friday, March 9th, UCO Jazz Lab: sounds like a good night to bring back "The Lakes of the Pontchartrain...

Don't want ya'll to miss it... ...if you like Joni Mitchell music. The Tribute Nights are Friday and Saturday, April 13 - 14. The featured album this year: "Ladies of the Canyon." For tickets click here.

THE NEW ART CELEBRATES
ACQUISITION OF
WASHINGTON GALLERY OF
MODERN ART COLLECTION
50 YEAR LATER
AT THE OKCMOA 
OPENING SAT. FEB. 17TH

“The New Art: A Milestone Collection Fifty Years Later” opens Feb. 17

New exhibition commemorates the 50th anniversary of transformative OKCMOA acquisition

Robert Indiana, Coenties Slip, oil on canvas, 1962, 60 x 48 inches,
OKCMOA purchase, Washington Gallery of Modern Art Collection, l968.
Courtesy of OKCMOA. Photo by Joseph Mills

In 1968, the Oklahoma Art Center (the predecessor to the Oklahoma City Museum of Art) purchased the 154 piece collection of the Washington Gallery of Modern Art, transforming Oklahoma City’s collection of contemporary art. Opening Saturday, Feb. 17 on OKCMOA’s first floor, “The New Art: A Milestone Collection Fifty Years Later,” will feature 52 works from this collection, including paintings, prints, sculptures and drawings.

“The acquisition of this collection by the Oklahoma Art Center was both visionary and courageous,” said President and CEO E. Michael Whittington. “At the time, many of the artists represented here were at the beginning of their careers. Since then, these artists and their work have become the definitive examples of early Contemporary American art. This exhibition celebrates these important works of art and the significant legacy of arts leaders in Oklahoma City during the late 1960s.”

David Park, Double Portrait, 1959, oil on canvas, 44 by 50 inches,

OKCMOA purchase, Washington Gallery of Modern Art Collection, 1968.

Courtesy of OKCMOA. Photo by Bryan Cook

“The Washington Gallery of Modern art transformed the Washington, D.C. art scene and brought focus and interest to D.C. as a leader in contemporary art,” added Director of Curatorial Affairs Dr. Michael J. Anderson. “We are lucky to have these incredible artworks here in Oklahoma City permanently. Not only has this helped establish the city as a leading collector of abstract expressionism, post painterly abstraction, color field painting, minimalism, and pop art but it has helped spur additional gifts, including 125 works from the Paul and Esther Reed Trust by Washington Color School artist Paul Reed.”

Blogger's note: Ellsworth Kelly's Red Blue, 1968, was not able to be accurately copied from the painting
through the internet. If you get a chance to see the collection at the museum, I urge you to look for this
90 x 69 1/2 inch painting for the meeting of the vibrancy, as curator Roja Najahi says, of the vertical red stripe through the center of the deep blue background. 
 

Open from 1961 to 1968, the Washington Gallery of Modern Art brought recognition to D.C.’s contemporary art scene. Among the many groundbreaking shows, the Gallery’s exhibition of the “Washington Color Painters” featuring works by Washington-based artists defined the most important movement of the nation’s capital: Washington Color School. When the Washington Gallery of Modern Art closed in 1968, due to increasing competition among Washington museums to exhibit contemporary art, the Oklahoma Art Center made the bold decision to purchase this historically significant collection.

Exhibition highlights include works by Ellsworth Kelly, Richard Diebenkorn, Grace Hartigan, Sam Gilliam, Robert Indiana and Paul Reed, along with rarely shown works by Morris Louis, Ruth Vollmer, Lee Bontecou and John Latham.

Adult admission is $12, with discounts available for seniors, students and members of the military. Admission for Museum members is always free.

The Museum is open Tuesday to Saturday 10 a.m. to 5 p.m., Thursday 10 a.m. to 9 p.m. and Sunday noon to 5 p.m.

 

BRIGHTMUSIC
PARKING DIFFICULT
TONIGHT

Brightmusic parking will be a problem at N.W. 7th and Robinson. 
Brightmusic president David Johnson suggests extra time to
navigate around the apparently daily construction changes.
  
However he writes, "You will relish Mozart from 1789, 
Dvořàk from 1893, and Kenji Bunch from 2006" at the
7:30 p.m. concert.

Commentary:
MASTER STROKES:
DUTCH & FLEMISH
DRAWINGS IN LAST
INTRIGUING
WEEKEND AT OKCMOA
By Nancy Condit

The Oklahoma City Museum of Art was full of people this Saturday afternoon of the last weekend of
Master Strokes: Dutch and Flemish Drawings from the Golden Age. The drawings, from the
Victoria and Albert Museum in London, included wonderful works by Peter Paul Rubens and
Sir Anthony van Dyck, as well as works by Rembrandt van Rijn.

Of particular notes were three works by Peter Paul Rubens: "Study of a Seated Woman (the
Virgin)," about 1606, drawn with black and red chalk on paper, and the head of "Maria de' Medici,"
about 1622, the French Queen Mother, as she deferentially bows her head to her son the King, Louis XVIII. The third is a reworking of a drawing by an anonymous artist. Rubens reworked "God the Father,"1628-29, by applying a dark wash and white body color to create a sense of volume and strong directional light, read the label. "Rubens may have reworked about 200 drawings to challenge his inventiveness or as inspiration for his paintings," building on those around him. Try it.

There are are ships by Willem van de Velde the Younger: "Vessels Lying at the Mouth of a River," 1660-1670, done with pen and brown ink with a grey wash on paper, and "A Sea Fight, Probably the Battle of Lowestoft, June 1665," done after 1665. And there are Jan van Huijsum's "Studies of
Poppies, French Marigold, Wild Larkspur and a Tulip," along with six "Studies of Nasturtiums,"
1700-1749, done in watercolor over graphite on paper.

Stop by the drawing studio, with a cascade of fruits of all colors, paper, pencils and clip boards to make your own still life drawing. Try it - there are some very good non-perishable fruits available.

The exhibition ends tomorrow, Sunday January 21, with the OKCMOA open from Noon to 5 p.m.

YOUNG CHOREOGRAPHERS'
SHOWCASE AT OU JAN 25-28

Young Choreographers’ Showcase Opens the Spring Season

at University Theatre

 

Courtesy University of Oklahoma School of Dance and University Theatre

  Select student choreographers create a production of imaginative, original dance works from the full spectrum of movement styles as the University of Oklahoma School of Dance and University Theatre present Young Choreographers’ Showcase, a program that always surprises and delights audiences. Young Choreographers’ Showcase is scheduled to open at 8 p.m. Thursday, Jan. 25, in the Reynolds Performing Arts Center, 560 Parrington Oval, Norman.  Additional performances are at 8 p.m. Jan. 26-27 and at 3 p.m. Sunday, Jan. 28. This production is suitable for all audiences.

                OU School of Dance faculty adjudicated students’ choreography to showcase ten exceptional dance works for the production. The choreographers offer a brief description of their work.

                  Amber Bailey is a ballet performance and physical therapy senior from Traverse City, MI. Tautly Linked is a piece choreographed in response to the social tensions within today's society. The work explores how tension can be built and released between people using different dynamics.

Amanda Evans is a ballet performance senior from Copper Canyon, TX. I've Got Sunshine juxtaposes the idealized notion of 'love' sung about in classic love songs with a caricature of a romantic relationship. This piece explores the possibility that perhaps finding your own groove in life is the best way to love yourself and others as well.

                  Gianna Hagnell is a modern dance performance and health and exercise science junior from Lake Bluff, IL. Echos of a Judas Kiss embodies the emotions that an individual transitions through as a result of feeling betrayed.

                  Hannah Knorr, a ballet performance major and health and exercise science minor sophomore from Dayton, OH, choreographed Everybody Swing in a fusion of jazz music with ballet to create a fun and flirty atmosphere. Consumed by the playful aesthetic of 1940s jazz music, an animated couple and a dazzling young woman express each note through the joy of movement.

                  Jessica Liske is a ballet pedagogy junior from Garden City, MI.  Her work Alleviation, shows the struggle of letting go of painful or harmful emotions, and the peace you find once you finally leave them behind. 

                  Emily Nichols is a ballet performance and journalism senior from West Palm Beach, FL. Image is about the painful, internal struggle of someone suffering from an eating disorder and negative body image. The work explores the relationship between mirrors and one’s sense of self.

A 2^nd year MFA dance candidate from Kokomo, IN, Sara Pecina choreographed En Route iabout three individuals facing different struggles on their own paths to the same destination.

                  Laura Pratt is a 2^nd year MFA dance candidate from Durango, CO. Amor Fati seeks to explore the negotiations necessary for the unfolding of the past, present and future relationship of man and woman experienced through the physical practice of falling. As philosopher Friedrich Nietzsche writes in his book Ecce Homo, " My formula for greatness in a human being is amor fati, that one wants nothing to be different, not forward, not backward, not in all eternity.

                  Chiara Ruff is a ballet performance junior from St. Paul, MN: Banyon is a combination of contemporary ballet, music and poetry. The inspiration behind this work is a poem called "Banyan" by Sudeep Sen. The story, told through dance, unfolds with rejected love. A young man turns to write his woes of love on paper, but it all comes out as fragmented poetry, for how can words describe everything in his heart.

Claire Willcutt is a modern dance performance junior from Denver, CO. The Wall is a narrative about a mother, a daughter and a wall.

                These dance works are created in collaboration with Helmerich School of Drama student lighting designers Lydia Brinkmann, Olivia Deluca, Jarrod Fries, Joshua Robbins, Aaron Wade and Brandon Wade.

                Always an audience favorite, Young Choreographers’ Showcase presents talent, imagination and energy in an innovative production of choreographic premieres.

For more information call the OU School of Dance office (405) 325-4051.

Advance purchase tickets for Young Choreographers’ Showcase are $25 for adult; $20 for senior adult, OU employee and military; and $10 for student, plus handling fee. Tickets at the door are $35 for adult and $15 for student, cash or check only.  Tickets also may be purchased online at http://theatre.ou.edu, by calling (405) 325-4101 or visiting the OU Fine Arts Box Office in the Catlett Music Center, 500 W. Boyd St. For accommodations, please call the box office at (405) 325-4101.

OKC POW WOW CLUB
JAN - MARCH INDIAN
TACO SALE SUPPORTS
OKC POW WOW CLUB
PROGRAMS

Courtesy of Facebook notification

OKC Pow Wow Club Jan, Feb & March Indian Taco Sales

Public

· Hosted by Oklahoma City Pow Wow Club

• Friday at 11 AM - 7 PM 2 days from now · 41–59°Sunny

• Show Map Ok Choctaw Tribal Alliance 5320 S Youngs Blvd, Oklahoma City, Oklahoma 73119

• Details PLEASE SHARE!. The Oklahoma City Pow Wow Club, a non-profit corp., will be having our next Indian Taco Sale, Friday, January 19th from 11a - 7p to be held at The Choctaw Alliance, 5320 S. Youngs Ave. https://www.facebook.com/events/139046603403411/?ti=cl We will be having our February Indian Taco Sale on Friday, February 16th also at a To Be Announced location. https://www.facebook.com/events/766401023560530/?ti=cl We will be having our March Indian Taco sale on Friday March 16th at the Mayflower Congregational Church 3901 Northwest 63rd Street on the North side in Oklahoma City from 11-7. https://www.facebook.com/events/154192655340197/?ti=cl $7 Indian Taco with Lettuce, Tomato, Onion, Cheese, beans and Beef. (Any item removed on request). With Drink and dessert $8 We will take Credit Cards! These fundraisers support our programs and upkeep of our Indian Hills Pow Wow Grounds. The 68th annual Indian Hills Pow Wow is July 27-29th, 9300 North Sooner Road, Oklahoma City. We will have space for vendors. $30.00. Call Fran Cady 405-246-5901. https://www.facebook.com/events/139046603403411/?ti=cl

OKC BALLET PRESENTS
THE LITTLE MERMAID
FEBRUARY 16th - 18th

Photo courtesy of Oklahoma City Ballet

Oklahoma City Ballet will present a retelling of Hans Christian Andersen’s story of The Little Mermaid, which has ignited the imagination of the young and young-at-heart for generations. In this World Premiere ballet, choreographed by Artistic Director Robert Mills, we follow a young mermaid who is willing to give up her identity and her life in the sea to gain a human soul.

This incredible tale of sacrifice for eternal love will feature multimedia projections and spectacular sets and costumes. This version will be inspired by the Andersen story but with a twist that only Mr. Mills can bring to the stage.

Single tickets start at $15 and are available now through OKC Ballet and Civic Center Box offices. They are also available online at www.okcballet.org./performance/the-little-mermaid/  

This version of the classic tale tells the story of The Little Mermaid, who dwells in an underwater kingdom and becomes enchanted by the the world above.  Artistic Director Robert Mills will bring a version to the stage that will not have any singing lobsters, but will instead feature video projections and the music of Alexander Zemlinksy, Alexander Borodin, and other classical composers of the era. 

Patrons can expect to see the beautiful Little Mermaid, the evil Sea Witch, and the handsome Prince, with whom the Little Mermaid falls in love.  This family friendly ballet will “be bright and colorful, touching at moments, and sad at moments, with an uplifting end,” said Mr. Mills. “Guests will love the extraordinary sets and costumes, and the video projections to make the underwater world come to life on stage.”

As an added treat, children are invited to make a craft as a keepsake, sponsored and provided by Oklahoma Contemporary. Following the 2:00 pm Sunday matinee performance, dancers from The Little Mermaid will be available in the main lobby for photos and autographs, while patrons can enjoy refreshments courtesy of Braum’s. 

Performances take place on Friday, Feb. 16 at 8 p.m.; Saturday, Feb. 17 at 8 p.m.; Sunday, Feb. 18 at 2 p.m.. Single tickets may be purchased by calling Oklahoma City Ballet 405-848-TOES (8637) or online at www.okcballet.org/performance/the-little-mermaid/ or by calling the Civic Center Box office at 405-297-2264. All performances take place at the Civic Center Music Hall, 201 North Walker, Oklahoma City. The Oklahoma City Ballet Box Office is open Monday through Friday from 9 a.m. to 5 p.m. and is located at 6800 North Classen, Oklahoma City.