OCU FILM SERIES OPENS
WEDNESDAY, SEPT. 5TH
AT 7:30 P.M. -- FULL
INTERNATIONAL FILM SERIES
SCHEDULE INCLUDED
WEDNESDAY, SEPT. 5TH
AT 7:30 P.M. -- FULL
INTERNATIONAL FILM SERIES
SCHEDULE INCLUDED
Film Series Opens at ‘Last Picture Show’
Courtesy of OCU |
OKLAHOMA
CITY – Oklahoma City University’s Film Institute will open its 37th
annual international film series at 7:30 p.m. Sept. 5 with Peter
Bogdanovich’s “The Last Picture Show.” The screening is free to the public in the Kerr McGee Auditorium of the
Meinders School of Business at N.W. 27th Street and McKinley Avenue.
“The Power of Place” serves as the theme of this year’s series. More than just setting, place can be nostalgic or haunting.
“It
may be mythic or menacing,” said Tracy Floreani, director of OCU’s Film
Institute. “It can be as specific as a room in a house or amorphous as
an entire watery landscape. Place informs our personal
identities, familial and national identities. People connect to place,
or feel displaced; fight for a place, or flee it.”
In
“The Last Picture Show,” a group of young people in a lonely Texas town
struggle to come to terms with the weight of growing up, first
experiences with sexuality, and the imminent closing of
the one theater in town—the place most inextricably tied to their sense
of childhood.
Filmed entirely in black and white, like
Bogdanovich’s later hit film “Paper
Moon,” “The Last Picture Show” is considered one of the seminal films of
the New Hollywood movement and is enshrined in the National Film
Registry at the Library of Congress. Featuring stellar
performances (including Oklahoma’s own Ben Johnson), beautiful
cinematography and a powerful story, “The Last Picture Show” is
considered one of the greatest portraits of the complications of
American adolescence and small-town life.
A
discussion about the film will follow the screening for those who wish
to stay. For more information about the series, visit the Film Institute
website at
okcufilmlit.org.
Other dates and films in the series will include:
·
2 p.m. Sept. 16, Ziad
Doueiri’s “The Insult” (Lebanon)
·
7:30 p.m. Oct. 3, Feras Fayyad’s “Last Men in Aleppo” (Syria)
·
2 p.m. Oct. 21 (Halloween special), Guillermo del Toro’s “El
espinazo del diablo” (“The Devil’s Backbone”) (Spain)
·
7:30 p.m. Nov. 7, Martin Zandvliet’s “Under
Sandet” (“Land of Mine”) (Denmark)
·
2 p.m. Nov. 18, Taika
Waititi’s “Hunt for the Wilderpeople” (New Zealand)
·
Time TBD Dec. 1, Sterlin Harjo’s “This May Be
The Last Time” in conjunction with the Bass School of Music (Oklahoma USA)
·
2 p.m. Jan. 20, Hirokazu Kore-eda’s “Maborosi” (Japan)
·
7:30 p.m. Feb. 6, Vincent Paronnaudand Marjane
Satrapi’s “Persepolis” (Iran/France)
·
2 p.m. Feb. 17, Ritwik
Ghatak’s “A River Called Titas” (Bangladesh)
·
7:30 p.m. March 6, Agnès
Varda’s “Faces Places” (France)
·
2 p.m. March 17, James Sheridan’s “In America” (Ireland)
·
2 p.m. March 31, Michael Radford and Massimo
Troisi’s “Il Postino” (“The Postman”) (Italy), in conjunction with the annual Thatcher Hoffman Smith Poet Series “Picturing Poetry”
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