Friday, March 24, 2017

OU PRESENTS SOUTH
INDIAN CLASSICAL AND
CLASSICAL DANCE
TONIGHT

                                            Courtesy of University School of Music








The School of Music presents a concert of Karnatak South Indian classical music and Bharatanatyam classical dance on the University of Oklahoma Norman campus as part of the Masala World Music Series. The concert is scheduled for 8 p.m. March 24, in Sharp Concert Hall of the Catlett Music Center and features two regional artists, Lavanya Raghuraman, of Stillwater, OK and Poovalur Sriji from Denton, TX.

 

An educational workshop is scheduled for 4 p.m. March 24, and is open to the public with complimentary admission. Both artists are quite articulate about their music and dance and able to connect meaningfully with audiences.

 

Karnatak Music features vocalist Raghuraman accompanied by Sriji on the mrdangam barrel drum. The duo will play classic compositions from the 18th to 20th century repertoire of karnatak classical music of South India.

 

Karnatak music features melodic modes called raga and rhythmic cycles called tala. Performance of songs in the genres of kriti and varnam praise the array of Brahminical Hindu deities such as Vishnu, Genesh and Saraswathi. The lyrics of the pieces in the languages of Sanskrit, Telugu, and Tamil are introduced and followed by forms of melodic and rhythmic improvisation. These include alapana, free metered exposition of the raga mode, niraval, expansive improvisation on a line of text, svara kalpana, improvisation on melodic pitch names (sa ri ga ma pa da ni) and finally tani avartanam, drum solo. Some of the pieces will only include a short alapana exposition of the raga, while the third piece will include multiple forms of improvisation.

 

Bharatanatyam Dance is the world renowned classical dance of South India. Once called nautch or sadir, its control and repertoire shifted in the mid-20th century from the matrilineal hereditary dance families of Devadasis, such as those of the renowned Tanjavur Balasaraswati (1918-1984) family, who performed in palaces and temples, to the middle class Madras Brahmin community led by Rukmani Devi Arundale (1904-1986).

 

Devi established the Kalakshetra School reviving the dance with the repertoire focused on the deity Nataraj, a more masculine or athletic style with extensive use of jathiswaram (pure dance without emotion), and calling it bharatanatyam (literally India’s dance). Balasaraswati’s descendants continue to perform their family repertoire focused on Krishna, using the erotic sringara rasa or mood, and deep expressions of bhava and abhinaya (expressive storytelling using hand and face gestures). While, many other Devadasis either stopped dancing or became singers or instrumentalists, such as the famous M.S. Subbulakshmi.

 

Raghuraman, performs the vocal and dance and is the founder-director of Alapana Arts, a music and dance institution based in Oklahoma. She is a leading disciple of the esteemed Dhananjayans and trained in the 'kalakshetra' style of Bharatanatyam. She is granddaughter of Sangita Kalanidhi Dr. S. Ramanathan and trained in karnatak music by her mother, Guru Smt. R. Banumathy. A gifted individual with multi-faceted talents, she is an accomplished bharatanatyam dancer, karnatak music vocalist and violinist rolled into one. A critic writing for The Hindu newspaper describes Lavanya as “a graceful and competent dancer with clear footwork.”  Lavanya’s performances at prestigious cultural venues and festivals in Singapore, Malaysia, India, Australia, and the USA have received wide acclaim and laudable reviews in The Hindu.  She is the recipient of the title of “Natya Chudar” from Kartik Fine Arts, Chennai, as well as “Natya Visharad” from SIFAS, Singapore. Following her formal Arangetram, Lavanya’s solo performances had their beginnings at The Natyanjali Festival, Chidambaram and she has performed regularly at the Chennai Music and Dance Festival for over a decade. As a choreographer, her thematic productions on unique themes such as “Nagareshu Kaanchi,” “Alchemy of Opposites,” and “Neythal” at Esplanade, Singapore, have been internationally acclaimed and presented to sold-out audiences. Lavanya recently completed a Singapore-India-USA tour of her latest production ‘Retracting the Path – Margam’ which premiered at Kalakshetra, Chennai among other prestigious global venues. Through lecture demonstrations, master classes, workshops and seminars at institutes of higher education including the Yong Siew Toh Conservatory of Music, National University of Singapore, University of Central Oklahoma, and University of Oklahoma, Lavanya shares her thoughts on karnatak music and bharatanatyam and their propagation in the purest form. She is also a graduate of The Fuqua School of Business, Duke University and is currently based in Stillwater, Oklahoma with her husband, Dr. Balaji Jayaraman.

 

Sriji, performs on the Mrdangam drum and is a prolific composer, performer, educator, and 'A' top grade artist recognized by All India Radio. He studied South Indian classical karnatak music from his father P.A. Venkataraman. For over four decades Sriji has performed with the leading artist of both South and North Indian classical traditions. Since his move to the United States in the 1980s, he has performed and recorded with artists such as Sir Yehudi Menuhin, Bela Fleck, Mark O’ Connor, John Bergamo, and Glen Velez to name a few. Sriji has received several awards from leading institutions, and the album Tabula Rasa, for which he composed and performed with Bela Fleck, V. M. Bhatt and J.P. Chen, was nominated for a Grammy. He has composed many pieces portraying the South Indian idioms and is the founding member of the world fusion group 'Brahmah'. He also founded and directed the 'SNEW' and the 'South Indian Cross Cultural Ensemble’, the first such world music ensembles in United States. He is currently a faculty member at the University of North Texas, where he conducts “the bridge” ensemble. He has also taught at CalArts and San Diego State University.

 

Tickets for the Karnatak South Indian classical music and Bharatanatyam classical dance concert may be purchased in advance for best prices by phone at (405) 325-4101, or in person through the OU Fine Arts Box Office, located in the Catlett Music Center, 500 W. Boyd St., Norman.

Courtesy of OU School of Music
  

Thursday, March 23, 2017

DOWNTOWN LUNCHTIME
CONCERTS RETURN 

This spring, Downtown Oklahoma City, Inc. and SandRidge Energy Corp. will partner to bring back the popular lunchtime concert series, SoundBites at Kerr Park in downtown Oklahoma City’s Central Business District.

SoundBites will include live music, yard games, and a food truck at each of four monthly events, and attendees are also encouraged to bring their lunch to the park on concert days. Picnic blankets and bottled water will be provided at no charge. Each of the free SoundBites events will feature performances by artists from The Academy of Contemporary Music at the University of Central Oklahoma (ACM@UCO) in Bricktown.

Event Dates                           Performers                           Food Truck

March 28                               Grant Adams                         Saucee Sicilian

April 25                                  TBD                                         The Loaded Bowl

May 23                                  TBD                                         Taste of Soul Egg Rolls

June 27                                  TBD                                         Let’s Do Greek

Spokies will be offering "No Usage Fees" during the event. From 11:30am-1:30pm, enjoy no usage fee bike rides using the promo code: 20170328. For more information about Spokies stations, visit SpokiesOKC.com.

This event open to the public at no charge, and is suitable for all ages to attend. For more information about SoundBites, including the artist lineup, visit DowntownOKC.com/SoundBites.

###

Located at 102 Robert S. Kerr Ave., between Robinson and Broadway, Kerr Park is a newly-renovated space that is maintained through a partnership with the City of Oklahoma City Parks and Recreation Department and SandRidge Energy. SandRidge is a proud sponsor of SoundBites and the annual Santa Run events in conjunction with Downtown Oklahoma City, Inc.

Downtown Oklahoma City, Inc. (DOKC) is a non-profit organization that promotes and markets downtown Oklahoma City in conjunction with numerous downtown stakeholders. DOKC also manages the downtown Business Improvement District, funds public art projects, and holds annual events. For more information, visit DowntownOKC.com.

Courtesy of Downtown Oklahoma City, Inc.



Tuesday, March 21, 2017


OKC BALLET PRESENTS
A MIDSUMMER 
               NIGHT'S DREAM
WITH 2ND PIECE BY
GUEST CHOREOGRAPHER
 

Courtesy of Oklahoma City Ballet



Just off the smashing success of their recent performance of "The
Sleeping Beauty," Oklahoma City Ballet will perform "A Midsummer Night’s Dream" April
21-23, 2017 at the Civic Center Music Hall in Oklahoma City.
The ballet is set to Felix Mendelssohn’s lush score and includes selections from Benjamin Britten.
Artistic Director Robert Mills brings Shakespeare's classic comedy to life for this world
premiere ballet. The adventures and misadventures of a group of mortals and
immortals in their quest for love will be told with original choreography from Mr. Mills
featuring the beautiful company artists supplemented with student dancers from The
Dance Center of Oklahoma City Ballet as bugs and fireflies.
“I’m proud to present this work based on one of Shakespeare’s greatest comedies. I
am having a wonderful time with the dancers creating it,” said Mills. “This version will
be fun, fast paced, lighthearted, and all wrapped up in one act.”
Opening the evening will be a world premiere work titled "If These Walls Could Talk" from
Denver choreographer Sarah Tallman. Set to Robert Schumann piano music, If These
Walls Could Talk depicts an emotional story of love, loss, and connection between
individuals and community. Though the point of departure is the retelling of a fictional
story during a particularly destructive time, the ballet also communicates a wide range
of emotions that awakens us to the reality of the human spirit.
The family-friendly double-bill ballet will run approximately two hours with one
intermission.
For more information, visit www.okcballet.com, or call 405-848-TOES (8637). Tickets
are on sale now and start at $35.
Courtesy of Oklahoma City Ballet

Wednesday, February 22, 2017

OU'S CONTEMPORARY DANCE
OKLAHOMA OPENS FEB. 24th



Courtesy of University of Oklahoma School of Dance
Norman—University Theatre and the University of Oklahoma School of Dance present Contemporary Dance Oklahoma scheduled to open at 8 p.m. Friday, Feb. 24, in the Elsie C. Brackett Theatre, 563 Elm Ave. Norman.  Additional performances are at 8 p.m. , Feb. 25, March 3, 4, and at 3 p.m. Feb. 26 and March 5. This production is rated PG.
OU School of Dance faculty Austin Hartel and Roxanne Lyst have created a production of modern dance works that challenge the dancer’s creative and physical limits. From narrative to abstract and mood inspired choreography, Contemporary Dance Oklahoma brings modern dance to explosive life on stage at OU.
Lyst choreographed her first dance work for University Theatre entitled “#” (hashtag). Describing her new work, Lyst said, “# is a meta tag symbol used via Twitter and Facebook for social or political slogans. In Contemporary Dance Oklahoma, # is a work that explores how pop culture is quick to post slogans about global injustices but slow to engage in the process of abolishing those same injustices.”
Hartel describes Brodie’s Introspection, “The dancers represent two sides of a person’s mind as they wrestle with a decision between two choices and reach an ultimate conclusion.”
Hartel’s other dance works include Pictures On Exhibition, Tethered, and In The Garden.
Contemporary Dance Oklahoma comprises students from the School of Dance. They are Alma Cienski, Ashley Coffin, Hannah Dellenbeck, Infiniti Eaglin, Bailey Evans, Kessa Fehring, Meagan Feil, Tessa Gidish, Gianna Hagnell, Nacoleon Hillsman, Jamilynne Johnson, Alexandra Lane, Korinne Manjarres, Billi Marder, Sara Peana, Melynda Phillips, Bethany Raley, Irandy Reyes, Joi Rice, Julie Russel, Breanna Troutman, Manuel Valdes, Megan Watson, Claire Wilcutt and Nicole Young.
The production staff consists of Kalani Lewis, scenic designer; Lloyd Cracknell, Ciara Smith, Patricia Mason and Jenava Burguiere, costume designers; Sam Brown, lighting designer; Haley Sartin, stage manager; Clara Cravey Stanley, School of Dance associate director; Kasey Allee-Foreman, associate producer; and Mary Margaret Holt, producer.
OU’s program in dance was founded in 1963 by Yvonne Chouteau and Miguel Terekhov, former principal dancers with Ballet Russe de Monte Carlo. The department became the School of Dance in 1998 with Mary Margaret Holt as director. Undergraduate and graduate dance majors, along with general education students, total approximately 1000 students in dance classes per semester. The School of Dance’s state-of-the-art facility in the Donald W. Reynolds Performing Art Center was completed in 2005.
For more information or to schedule an interview call the OU School of Dance office (405) 325-4051.
Advance purchase tickets for Contemporary Dance Oklahoma are $25 for adult; $20 for senior adult, OU employee and military; and $10 for student, plus handling fee. Tickets at the door are $35 for adult and $15 for student, cash or check only.  Tickets also may be purchased online at theatre.ou.edu, by calling (405) 325-4101 or visiting the OU Fine Arts Box Office in the Catlett Music Center, 500 W. Boyd St. For accommodations, please call the OU Fine Arts Box Office at (405) 325-4101.
Courtesy of O.U. School of Dance
                                                                                   


Friday, February 17, 2017

SKATING AND GYMNASTICS
SPECTACULAR ON ABC AT
2:00 P.M. SATURDAY 2/17

Bart Connors, Nadia Comaneci and
Kristi Yamaguchi host the annual Skating
and Gymnastics tomorrow at 2 p.m. on
ABC. 
This has been an excellent program for
the last several years for the combination
of two sports in an entertaining program.
 

Thursday, February 16, 2017

MISS BROWN TO YOU
PLAYS


 
‘Nightingale’ coffee is also on sale at Forward Foods (2001 W Main Street in Norman,) or directly from Leap Coffee at 44 NE 51st Street.  Leap is open Wed-Thu-Fri from 9:00 to 3:00, or Monday and Tuesday by appointment.  602-5800.  And the truth can now be told:  it’s Oaxacan mixed with Sumatran in a darker-than-medium roast.
In town, especially Downtown:  Thursday, February 16th is Noon Tunes at the Downtown Library (300 Park Avenue) and the next day, Friday, February 17th, Art Moves.  This time in a new place: the 21c Museum Hotel at 900 W Main Street. Both of these engagements run from Noon to One.  
Looking ahead, we’ll be at Full Circle on Saturday, March 4th.  The Quartet will join us at the Jazz Lab on Saturday, March 11th. 
And Friday - Saturday, March 17th & 18th:  Joni Mitchell Nights at the Blue Door!  

Wednesday, February 15, 2017

OKC BALLET PRESENTS
THE SLEEPING BEAUTY

 






Oklahoma City Ballet will perform The Sleeping Beauty February 17-19, 2017 at the Civic Center Music Hall in Oklahoma City. This classic good-versus-evil tale is based on the story by Charles Perrault, La Belle au Bois Dormant.

Debuting in 1890 at the Mariinsky Theatre in St. Petersburg, Russia, The Sleeping Beauty is known as one of the most demanding ballets to perform.  Oklahoma City Ballet Artistic Director Robert Mills will stage this cornerstone of classical ballet repertoire by supplementing the Marius Petipa choreography that remains from the original production with his own new choreography.  The lead role of Princess Aurora is considered one of the most difficult roles for a ballerina in classical ballet.  The role will be split, with Principal Dancer Miki Kawamura and Soloist DaYoung Jung sharing the load. “The most intimidating part is that this role is so definitive of classical ballet. There’s no hiding, no cheating; you have to get it exactly right,” said Kawamura. “It was definitely on my bucket list.  I never thought I was the Aurora type, growing up.”  This will be her first time to dance the role of Aurora.

This visually stunning ballet tells the story of Princess Aurora, cursed by the evil Carabosse to die on her 16th birthday, when she will prick her finger on a spindle.  The spell is partially undone by the Lilac Fairy, who modifies the spell as much as she is able so that the Princess will not die, but instead sleep for 100 years.  The spell will then be broken by the kiss of a Prince. The Lilac Fairy chooses Prince Désiré to awaken Aurora, and leads him to her.  Despite Carabosse’s attempts to foil the Prince, he arrives at the castle and awakens the Princess. 

The music for The Sleeping Beauty was composed by Pyotr Tchaikovsky, one of his famous trilogy of ballet scores (the other two are The Nutcracker and Swan Lake), and it will be performed live by the Oklahoma City Philharmonic at all performances.  This will be the first time in more than 15 years for The Sleeping Beauty to be performed by Oklahoma City Ballet, and marks the first time that all three Tchaikovsky ballets have been in OKC Ballet’s repertoire at one time. 

The large cast will use the entire company, and also a number of children from The Dance Center of Oklahoma City Ballet. These students auditioned in September for roles in The Sleeping Beauty.

The family-friendly classical ballet in three acts will run in approximately 2 ½ hours.
For more information, visit www.okcballet.com, or call 405-848-TOES (8637).  

# # #
About Oklahoma City Ballet:  Founded in 1972 by Ballet Russe dancers Yvonne Chouteau and Miguel Terekhov, Oklahoma City Ballet has been the city’s professional ballet company for 45 years. It is the resident dance Company of the Civic Center Music Hall and currently boasts 45 dancers from around the world. Led by Artistic Director Robert Mills, the Company produces four main stage productions per season in Oklahoma City and tours across Oklahoma and surrounding states. Oklahoma City Ballet restages the classics in addition to neoclassical and other works of the 20th century.  It also regularly commissions new works from the industry’s leading choreographers.
Courtesy of the Oklahoma City Ballet